Vocalign has made a recording to be proud of. Elizabethtown College's singers worked hard, chose well and sang their hearts out on this eight-song charmer, which they recorded themselves and sent to Dave Sperandio for mixing and mastering. Everything sounds nice and some things sound really good. Quite an achievement, especially on a group's debut recording.
The opening distortion of Take Me Away shows this group's determination to make a record worth listening to. The track rocks out and sets up the tone of the album, marked as it is by a crystalline female solo, a steady groove and interesting accents embedded in the backgrounds. Percussion tends toward high hats and bass thumps, a somewhat minimalist approach that serves these songs well and keeps the group in the groove and out of trouble.
VocALign is a process that automatically edits the timing of one audio signal to match another. How does VocALign work? VocALign works by applying varying amounts of time stretching or compression to one signal (called the ‘Dub') to make its energy peaks and troughs align in time with a ‘Guide' signal. 5 Reviews written. One significant difference to be aware of is the 120 second limitation with Vocalign Project, any clips longer than 120 seconds will have to be. Pro Tools session using VocALign. The red track is the original production dialog; the green track is a production alt take; and the blue waveform is a VocALigned version of the alt track. An award-winning software plug-in and stand-alone application for Windows and Mac OS 8/9/X, SynchroArts' VocALign can automatically synchronize two audio. VocALign takes two audio signals: the guide, which in most cases is the lead vocal, and the dub, which is the backing vocal or harmony that you want to lock to it. It analyses the energy profiles over time of both signals and stretches and compresses the dub track to precisely follow the profile of the guide. VocALign takes two audio signals: the guide, which in most cases is the lead vocal, and the dub, which is the backing vocals or harmony that you want to lock to it. It analyses the energy profiles over time of both signals and stretches and compresses the dub track to precisely follow the profile of the guide.
Two songs later, Erin Healy delivers an incredibly affecting performance of Between the Lines. The women of Vocalign are uniformly strong; Healy's heartfelt delivery and soaring pop vocals put her at the front of this talented pack. The male-led tunes are more uneven. Tubthumping is tons of fun, while The Wait lacks verve and doesn't hold together as well as the rest of the record.
Most of the chosen songs are interesting in themselves and as delivered. I enjoy the a cappella homage of including tunes by Sara Bareilles and Gabriel Mann, as well as the group's performances of Lighted Up and the aforementioned Between the Lines. The 80s showstoppers are far less to my taste, but probably a big part of this group's live successes. I personally find their rendition of Livin' on a Prayer too grating to listen to more than once. Don't Stop Believin' is a much better peformance — but at this point in the Journey chic revival I would be content to wait a decade before hearing this song again.
Vocalign is a new entrant into a crowded market, and they acquit themselves well. Here's wishing them all success on wherever they go from here.
Vocalign Review Consumer Reports
If you work with vocalists and instrumentalists in the studio, you know how challenging aligning double takes and harmonies can be. Ever wish you didn't have to spend hours nudging around audio files so they're playing in time? VocALign Pro 4, the advanced version of VocALign promises to save time by instantly matching the alignment of one audio take to another. Would this plug-in really be able to perfectly align audio files? I put VocALign Pro 4 to the test in my DAW, to see if it would really live up to all it claimed to do.
Installation and Resources
The installation of VocALign Pro 4 is straightforward; an iLok key is required to install the software. There's a free trial version of VocALign Pro 4 available on the Synchroarts.com website and clear how-to-install instructions are sent out once the software is downloaded. After downloading the plug-in, I was able to learn how to use it, thanks to a number of instructional videos on the Synchroarts website. VocALign Pro 4 was easier to use than I anticipated it would be, and I liked the fact that this plug-in focuses on doing one thing well. VocALign Pro 4 is compatible with most popular DAWs; Audio Suite, AAX, VST3 and AU plug-in integration is available. A full list of DAW/Editor Guides is available on the Synchroarts website that includes detailed instructions about how to use VocALign Pro 4 with each major DAW.
Layout and Basic Operation
To use VocALign Pro 4, you'll need two tracks of audio to sync together; these can be vocals, instruments or sound effects. Note that if you're syncing vocals, you'll need to be sure the vocals are tuned before syncing them, as VocALign Pro 4 does not change the audio's pitch. The track that has the proper timing is called the 'Guide' track and the track that will be synced to the 'Guide' is the 'Dub' track. The Guide track must be selected in the Side Chain in order for VocALign Pro 4 to recognize it as the guiding audio file. Once that's been done, solo the two audio files and press 'Capture Audio' to capture both files. Next, the Edit button must be pressed to align the audio together.
Using VocALign Pro 4 couldn't be simpler. Vocals and audio synced together with the plug-in sounded very tight. One discovery I made was not to record too much silence before or after the audio files when capturing them. The silence before/after audio files can be compensated for inside of VocALign Pro 4 by adjusting the Sync Points on the far left and right-hand side of the waveforms. If adjustments are made to the Sync Points, the Edit button must be pressed to re-sync the audio files together. A nice touch in this plug-in is the Loudspeaker, which turns green to demonstrate when the audio files are in sync and can be played, and red when they're not synced.
Depending on the level of synchronization needed, there are different levels of 'Flexibility', ranging from Low Flexibility to Maximum Expansion. For the audio I was syncing together, I found that the 'High Flexibility' setting worked the best, although the level of 'Flexibility' needed will be different for each project. There are also 'Sync Points' that are automatically set and can be adjusted. I found that my own audio files synced up so well with VocALign Pro 4 that I didn't need to adjust this option, but it's a helpful feature to have available.
Free Trial; Informatica PowerCenter Downloads. Businesses rely on Informatica PowerCenter to accelerate business value delivery. Watch now to learn how we can help you integrate any data, in any format, for all your business projects. Informatica power center express free download.
Here's an example of two audio files, before and after synchronization:
Unsynched double take (insert audio: unsynched_audio):
Double take synced with VocALign Pro 4 (synced files):
How It Works
The way that VocALign Pro 4 actually works is pretty interesting. The plug-in analyzes both signals using analyzers that produce 'time varying energy patterns.' Then it uses pattern recognition to examine the takes, and determines the best way to 'warp' the Dub audio to match the Guide. The Dub signal is then processed through a processor that changes the timing of the audio to match the Guide, and the edited version of the Dub signal can be played. I imagine the algorithm for VocALign is quite complex, and I'm impressed by how quickly and accurately this plug-in is able to process audio.
Aligning Triple Takes
VocALign Pro 4 can also be used to align three or more audio takes; in order to do this, you'll need to run another instance of the plug-in on the third audio file and set the Side Chain to the same Guide track that you've set as the Guide for the double takes of audio. Aligning three audio files works just as well as two, so long as the same Guide is used for all of the tracks that are synced together.
Overall, I found that VocALign Pro 4 is an extremely helpful software that does what is promises, and works very well. It's easy to learn to use, thanks to resources available on the Synchroarts website and YouTube. This plug-in is capable of saving producers and engineers countless hours of time that were previously spent tediously aligning tracks by hand. VocALign Pro 4 aligns audio tracks quickly and accurately and has a simple and straightforward layout. VocALign Pro 4 would be a very useful and time saving plug-in for those who work with ADR, double-tracked vocals and backing harmonies. Highly recommended.
Vocalign Review
Price: $399.00
Two songs later, Erin Healy delivers an incredibly affecting performance of Between the Lines. The women of Vocalign are uniformly strong; Healy's heartfelt delivery and soaring pop vocals put her at the front of this talented pack. The male-led tunes are more uneven. Tubthumping is tons of fun, while The Wait lacks verve and doesn't hold together as well as the rest of the record.
Most of the chosen songs are interesting in themselves and as delivered. I enjoy the a cappella homage of including tunes by Sara Bareilles and Gabriel Mann, as well as the group's performances of Lighted Up and the aforementioned Between the Lines. The 80s showstoppers are far less to my taste, but probably a big part of this group's live successes. I personally find their rendition of Livin' on a Prayer too grating to listen to more than once. Don't Stop Believin' is a much better peformance — but at this point in the Journey chic revival I would be content to wait a decade before hearing this song again.
Vocalign is a new entrant into a crowded market, and they acquit themselves well. Here's wishing them all success on wherever they go from here.
Vocalign Review Consumer Reports
If you work with vocalists and instrumentalists in the studio, you know how challenging aligning double takes and harmonies can be. Ever wish you didn't have to spend hours nudging around audio files so they're playing in time? VocALign Pro 4, the advanced version of VocALign promises to save time by instantly matching the alignment of one audio take to another. Would this plug-in really be able to perfectly align audio files? I put VocALign Pro 4 to the test in my DAW, to see if it would really live up to all it claimed to do.
Installation and Resources
The installation of VocALign Pro 4 is straightforward; an iLok key is required to install the software. There's a free trial version of VocALign Pro 4 available on the Synchroarts.com website and clear how-to-install instructions are sent out once the software is downloaded. After downloading the plug-in, I was able to learn how to use it, thanks to a number of instructional videos on the Synchroarts website. VocALign Pro 4 was easier to use than I anticipated it would be, and I liked the fact that this plug-in focuses on doing one thing well. VocALign Pro 4 is compatible with most popular DAWs; Audio Suite, AAX, VST3 and AU plug-in integration is available. A full list of DAW/Editor Guides is available on the Synchroarts website that includes detailed instructions about how to use VocALign Pro 4 with each major DAW.
Layout and Basic Operation
To use VocALign Pro 4, you'll need two tracks of audio to sync together; these can be vocals, instruments or sound effects. Note that if you're syncing vocals, you'll need to be sure the vocals are tuned before syncing them, as VocALign Pro 4 does not change the audio's pitch. The track that has the proper timing is called the 'Guide' track and the track that will be synced to the 'Guide' is the 'Dub' track. The Guide track must be selected in the Side Chain in order for VocALign Pro 4 to recognize it as the guiding audio file. Once that's been done, solo the two audio files and press 'Capture Audio' to capture both files. Next, the Edit button must be pressed to align the audio together.
Using VocALign Pro 4 couldn't be simpler. Vocals and audio synced together with the plug-in sounded very tight. One discovery I made was not to record too much silence before or after the audio files when capturing them. The silence before/after audio files can be compensated for inside of VocALign Pro 4 by adjusting the Sync Points on the far left and right-hand side of the waveforms. If adjustments are made to the Sync Points, the Edit button must be pressed to re-sync the audio files together. A nice touch in this plug-in is the Loudspeaker, which turns green to demonstrate when the audio files are in sync and can be played, and red when they're not synced.
Depending on the level of synchronization needed, there are different levels of 'Flexibility', ranging from Low Flexibility to Maximum Expansion. For the audio I was syncing together, I found that the 'High Flexibility' setting worked the best, although the level of 'Flexibility' needed will be different for each project. There are also 'Sync Points' that are automatically set and can be adjusted. I found that my own audio files synced up so well with VocALign Pro 4 that I didn't need to adjust this option, but it's a helpful feature to have available.
Free Trial; Informatica PowerCenter Downloads. Businesses rely on Informatica PowerCenter to accelerate business value delivery. Watch now to learn how we can help you integrate any data, in any format, for all your business projects. Informatica power center express free download.
Here's an example of two audio files, before and after synchronization:
Unsynched double take (insert audio: unsynched_audio):
Double take synced with VocALign Pro 4 (synced files):
How It Works
The way that VocALign Pro 4 actually works is pretty interesting. The plug-in analyzes both signals using analyzers that produce 'time varying energy patterns.' Then it uses pattern recognition to examine the takes, and determines the best way to 'warp' the Dub audio to match the Guide. The Dub signal is then processed through a processor that changes the timing of the audio to match the Guide, and the edited version of the Dub signal can be played. I imagine the algorithm for VocALign is quite complex, and I'm impressed by how quickly and accurately this plug-in is able to process audio.
Aligning Triple Takes
VocALign Pro 4 can also be used to align three or more audio takes; in order to do this, you'll need to run another instance of the plug-in on the third audio file and set the Side Chain to the same Guide track that you've set as the Guide for the double takes of audio. Aligning three audio files works just as well as two, so long as the same Guide is used for all of the tracks that are synced together.
Overall, I found that VocALign Pro 4 is an extremely helpful software that does what is promises, and works very well. It's easy to learn to use, thanks to resources available on the Synchroarts website and YouTube. This plug-in is capable of saving producers and engineers countless hours of time that were previously spent tediously aligning tracks by hand. VocALign Pro 4 aligns audio tracks quickly and accurately and has a simple and straightforward layout. VocALign Pro 4 would be a very useful and time saving plug-in for those who work with ADR, double-tracked vocals and backing harmonies. Highly recommended.
Vocalign Review
Price: $399.00
Pros: Accurately edits the timing of one audio file to another, Easy to use, Saves time, Audio Suite, AAX, VST3 and AU plug-in integration for most popular DAWs.
Cons: Quality always comes at a price, and while VocALign Pro 4 works well, it's not cheap. Priced at $399 USD, it's a plug-in that most producers will have to save up for before investing in. Despite its benefits, the cost alone may deter or delay potential users who could benefit from this plug-in from purchasing it.
Vocalign Reaper
Web: http://www.synchroarts.com/products/vocalign-pro/overview
